As captured on their self-titled debut album (Epic Associated), the music of Rage Against The Machine is a fierce and uncompromising meld of punk-inspired hard rock and politically-charged rap. Less than two years from the time of their first public performance in an Orange County living room party, the Los Angeles-based band has created a growing storm of bothcontroversy and fan support. Rage's influences range (in their words) "from Bad Brains to Malcolm X, from Led Zeppelin to Che Guevara, from Minor Threat to Martin Luther King Jr., from Public Enemy to the Clash."

Rage Against The Machine was co-produced by the band with engineer Garth Richardson, who has worked with Red Hot Chili Peppers and Ozzy Osbourne. All sounds are the product of guitars, bass, and drums; no samples, keyboards or synthesizers were used to create this music. What was used was the raw musical power and highly charged language of such key Rage songs as "Settle ForNothing," "Killing In The Name," and "Bullet In The Head." This last-named track is also the first video by Rage Against The Machine, even though FCC regulations preclude airplay.

Before signing with Epic Associated, Rage Against The Machine recorded a12-song cassette which sold over 5,000 copies at the band's live shows and through its fan club. In fact, the present album version of "Bullet In TheHead" is taken directly from that self-released tape. In its first year ofexistence, Rage Against The Machine opened shows for Ice-T's Body Count, PublicEnemy, and Pearl Jam. The band supported Perry Farrell's Porno For Pyros on the latter's July 13, 1992 debut performance; toured Europe with Suicidal Tendencies; and appeared September 11-12, 1992 on the second stage of Lollapalooza II in Los Angeles dates.

"On the strength of the album," wrote Timothy White in Billboard, "they must be viewed as one of the most original and virtuosic new rock bands in the nation...Rage Against The Machine generates the most beautifully articulated torrent of hardcore bedlam that one could imagine. And the hopes invested inthese humming murals of urban din are equally visionary."

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